![]() ScopeBox Software with the Reflecmedia LED Green Screen System Here are a few of the things we discovered in the last few months of HD production. We discovered a lot along the way, in particular that “field” monitors have taken on a whole new life of usefulness. In it we try to evaluate ways to efficiently integrate Apple and Adobe software into best practices for production and post. Second, I was working on a new book, Video Made on a Mac: Production and Postproduction Using Apple Final Cut Studio and Adobe Creative Suite with Robbie Carman. First, we’ve pretty much abandoned Standard Definition production, relegating it only to live web events where we are streaming the content or where the client demands it. ![]() I’ve recently spent a lot of time evaluating our production processes looking for ways to improve efficiency. Mind you, both are excellent tools – but neither is a cure for everything. You can also mount the head on a boom pole (handy for reaching over the heads of crowds), a jib arm, or on a tripod in a sensitive location, while you monitor and operate it from a safe remove.īanking, real estate and the stock market: all three are prone to “irrational exuberance.” As it turns out, the production community is not immune either, witnessed by the hordes rushing to buy (or wishing they already owned) a RED camera or a Canon 5D mkII. You can put the camera head in unusual or awkward places-on a helmet, strapped to the underside of a bike, on the deck of a skateboard, on the hood of a car-while being able to control it and view its images on its main body in a more convenient location. Sony’s HXR-MC1 ($2800, street price) is a “POV” camcorder, an HD single-chip CMOS camera head with 10x zoom, separated from the “main body” with controls, LCD screen, and recording media, by a nine-foot umbilical cable. Review: Sony HXR-MC1 1-CMOS AVCHD POV Camcorder To receive exclusive access to these articles before everyone else, click here for your free subscription! It will include articles on Avid to Premiere to Avid editing workflows by Steve Hullfish and Final Cut Pro to After Effects workflows by Richard Harrington, plus more. In early September we will publish our eighth electronic newsletter, which will be the third edition of our PVC Pipeline | Post publication. These articles are now available for all PVC visitors to view a list of them is included below. ![]() Subscribers had exclusive access to these articles for the past few weeks. Earlier in August we published our third PVC Pipeline | Distribution newsletter, which included a review of the Sony HXR-MC1 camera by Adam Wilt, an overview of the pros and cons of the RED One and Canon 5D mkII by Art Adams, Richard Harrington’s real-world experiences with HD field monitors, and a combo review of the Scope Box Software and Reflecmedia LED Green Screen System by Jeff Foster.
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